Title: The Black Count: Glory, Revolution, Betrayal, and the Real Coute of Monte Cristo
Author: Tom Reiss
Genre: Narrative nonfiction
Acquired: From the publisher for review consideration
Review: Although the name “Alexandre Dumas” is probably most recognized as the name of the author of such great works as The Three Musketeers and The Count of Monte Cristo, the novelist Dumas actually shares the name with his father, General Alex Dumas, a mixed-race military leader in revolutionary France.
Alex — as he preferred to be called — Dumas was born to a black slave mother and a fugitive white Frenchman hiding out in Saint-Domingue. When Alex’s father emerged from his sojourn in the Caribbean he made his way back to France with his mixed race son to reclaim his family’s estate. Alex was raised the son of an aristocrat, and eventually made a name for himself because of his dashing good looks and skill with a sword. Much to his luck, Alex found himself in France during a revolutionary time, one of the earliest civil rights movements, which allowed him to advance through the ranks of the French army until the Black Count commanded more than 50,000 men and became a threat to the great Napoleon.
Dumas’ exploits and travails eventually became the fodder for his son’s most famous novels; Alex Dumas’ exploits with the sword are featured in The Three Musketeers, while his eventual imprisonment and unwavering principals became the inspiration for the enigmatic Edmund Dantes in The Count of Monte Cristo. The Black Count is both Alex’s story, as well as a love story from a son to his father and an exploration of early victories for racial equality in a revolutionary time.
There are many, many things to love about The Black Count. Alex Dumas has an amazing story, and author Tom Reiss does wonders bringing it together, combining the exciting stories that the novelist Dumas wrote about his father with military records, letters and other documents to provide an admiring and realistic portrayal of a man that, in many ways, was well outside of his time. I loved reading about Alex’s exploits as a young soldier and his difficulties dealing with the rampantly difficult politics of France during this time period.
The book sometimes feels like it gets a little sidetracked from Alex Dumas, spending long sections on the French Revolution or Italian politics when I really just wanted to hear more about the dashing Black Count. I get why those sections are important — their context is important to the story of how Alex Dumas was able to accomplish all of the things he did — but they’re not as exciting when you’re waiting to find out how a military hero ends up imprisoned like Edmund Dantes. But, I guess that’s a pretty high standard of entertainment to live up to anyway.
That’s really a small criticism, however. On the whole, The Black Count is a great example of the sort of exciting and readable nonfiction that I love and try to recommend.
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